Octagon
Houses
1848 to 1870
>> Features
to look for
By Peter Barr
The
mid-nineteenth century saw a twenty-year fascination with octagonally shaped
homes, which resulted from the
publication of A Home for All in 1848 by one of the century’s most eccentric
and original thinkers: Orson Squire Fowler (1809-1889).
Fowler
was a popular and persuasive writer and speaker, able to blend
the era’s most divergent tendencies: on the one hand,
an interest in novelty, efficiency and technology and on the other
hand, a sense of loss that these things were undermining traditional
agrarian values and social stability. He traveled the country lecturing
on such topics as phrenology (a pseudo-science that claimed to
be able to read a person’s personality in the bumps on his
head), architecture, health, and social reform. Indeed, he called
for the construction not only of eight-sided houses, but of properties with fruit trees and berry bushes where healthy foods would be raised, preserved and
consumed.
Fowler’s promotion of eight-sided houses
mirrors the era’s
fascination with modern technologies, efficiency and fitness. In
A Home for All, he pointed out that an octagonal house, when compared
to rectangular houses, was more economical because it offered “one-fifth
more room for its Wall.” He also pointed out that by providing
more window surfaces and an eight-sided cupola above the roof,
the home owner could increase and control the amount of health-giving
natural light and ventilation to the home’s interior.
Entertaining
and full of sensible advice, Fowler’s book encouraged
all builders to adopt the latest conveniences,
including central heating, gas lights, flushing toilets, dumbwaiters,
speaking tubes and hot and cold running water (heated by the
kitchen range). Following his own advice, Fowler built a three-story
octagonal
home for himself in Fishkill, New York, that had all of these
features—plus a roof designed to collect rain water, which
was then filtered
and sent around the house to the washstands and water closets.
His book also called on builders to adopt innovative labor-saving
techniques, such as the use of concrete walls, which he called “gravel
walls,” that were to replace expensive brick and “objectionable” wood.
While this concrete construction would be adopted a century later
by modernist architects, most nineteenth-century octagonal homes
were built of wood or brick (as is the case in Adrian). Ironically,
wood construction resulted in higher labor costs compared to
traditional homes because of the octagon’s peculiar 135
degree angles.
Despite
the sensation that Fowler’s book
created, only about two thousand octagonal houses were built
in the nineteenth century.
The claims of greater wall-to-floor efficiency were offset
by the added costs of construction. Plus, it was never clear
how
one could
gain maximal use of the structure’s oddly shaped corners.
Fitting rectangular rooms (and traditional, rectangular furniture)
into the eight-sided form resulted in left-over triangular
spaces that seemed to be suited only to closets.
With
the economic depression of 1857 and the American Civil War of 1860-1865, the Octagon fad fell
from favor. Today, fewer than 500 octagonal houses from the
nineteenth-century
still stand, mostly in the Hudson Valley of New York, Massachusetts,
Ohio, Wisconsin, and Michigan. Fewer than 50 survive in Michigan,
just two in Lenawee County: the Champion House in Adrian and another in Hudson, at 428 South Church Street.
Of
course, the octagon is not actually a style, but rather a form,
which could be decorated any
way the owner desired.
Most
Octagon
Houses received Italianate brackets, although others received
Gothic Revival gingerbread trim or Greek Revival columns.
One well-known
example in Natchez, Mississippi received exotic Moorish details,
including an onion-shaped dome above the cupola.
For detailed information about the
Octagon house in Adrian, at 523 South Winter, click here for a pdf document.
Features
to look for:
- Eight-sided
shape of exterior walls. (A few are six-, ten-, twelve-, sixteen-sided
or round.)
- Two
stories (Some have raised basements and a few have up to four
stories.)
- Low-pitched,
hipped roofs with wide overhanging eaves.
- Eave
brackets, when Italianate.
- Eight-sided
belvederes (cupolas),
often placed above a central stairway and covered with glass or shutters.
- Porches
on the first floor, sometimes balconies on the second floor.
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