Art History courses provide opportunities for students to practice speaking, reading and writing about art, to hone critical thinking and research skills, and to develop personal and cultural identities in relation to prior art movements, artists, and artworks. The courses have been grouped into freshmen, sophomore, and junior levels. Each new level requires the student to demonstrate increasingly sophisticated historical knowledge as well as analytical, research, and writing skills.

The freshman Foundations classes help students master the fundamentals needed for discussing and investigating works of art. Students are asked to develop their art vocabularies, to demonstrate library skills, and to explore the relationship between meaning and context. Students are presented with an overview of art history through an exploration of Western architecture. The class includes a tour of the Toledo Museum of Art and an architectural walk through Adrian's historic State Street/Dennis Street neighborhood.

Three surveys of Western Art (Ancient to Medieval, Renaissance to Modern, and American Art), allow sophomores and juniors to examine art produced during relatively large periods in history. Students acquire historical perspective as they apply the vocabulary, analytical skills, and research skills presented in the Language of Art.

Upper-level courses focus on relatively narrow topics, including Nineteenth-Century Art, Early Twentieth-Century Art, Late Twentieth-Century Art, Visual Culture and the History of Photography. Aimed at juniors and seniors, these courses require students to tackle more difficult reading assignments, and to undertake independent research projects.

Art History Outcomes:
Students pursuing a Minor in Art History or a BFA in Art History should be able to demonstrate the following by the time they complete all course requirements:

Communication:

  • Ability to outline and present orally information found in selected art historical literature.
  • Mastery of art and art history vocabulary, including the language of:
    • visual elements (color, light, line, form, etc.);
    • design and composition (balance, symmetry, style, focal point, emphasis, etc.);
    • media, such as photography, painting, sculpture, ceramics, etc.;
    • visual culture studies.
  • Ability to write effectively in a variety of formats, including:
    • comparison/contrast essays;
    • description/analysis papers; and
    • Research papers focused on:
      • objects in an art museums;
      • contemporary art, artists and/or art practices;
      • architecture.
  • Ability to create proper bibliographies and references (footnotes and endnotes) using the Chicago Style.
  • Reading knowledge of at least one foreign language, preferably German and French.

Content:

  • Recognition of the visual characteristics of period and regional styles of major monuments for a variety of cultures including:
    • Non-western, Ancient, European, American, and Contemporary.
  • Knowledge of the history of two or more art media such as
    • Painting, sculpture, architecture, printmaking, photography, design and visual culture media.

Research

  • Ability to find information about art, artists and cultures in a variety of places and formats, including:
    • Public art venues, such as museums, galleries, theaters, etc.;
    • Traditional library media, including books, articles and videos found through catalogues and indexes, such as Art Index;
    • Digital library media, including books and articles found through the use of computer search engines, such as Infotrac, and First Search;
    • Non-library sources, such as the World Wide Web and its search engines, such as Google.com.

Critical Thinking

  • Ability to analyze the meaning(s) of works of art based on:
    • subject matter, techniques and materials;
    • the biography of the artist;
    • other works of art by the same artist;
    • related works of art by other artists;
    • the artwork’s original context, including social, political and economic contexts; and
    • subsequent contexts
  • Ability to synthesize information (especially thesis statements and topic sentences);
  • Ability to develop ideas through the process of research, prewriting, writing and rewriting;
  • Ability to evaluate assertions and assumptions found in the writing and oral presentations.

Methodology and Theory

  • Awareness of the interrelationships between art and ideas related to:
    • Politics, including propaganda, nationalism and the avant-garde
    • Gender and age
    • Geography and region
    • Ethnicity
    • Economics, including issues of class, patronage and market forces
    • Technology and science
    • Social institutions, including education, religion, government, entertainment, etc.
  • Awareness of different approaches and methods available to art historians as they interpret art and culture, such as:

    o Marxist (political and economic)
    o Feminist (gender and age)
    o Formalist (non-contextual)
    o Biographical
    o Psychoanalytic (Freudian, etc)

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Instructors

Peter Barr
Professor of Art History


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